Lab MILAN’23
Hsiang Chih Hsueh Taiwan Sculpture

Artwork title : Horse

The artist utilizes Chinese calligraphy and painting as his expressive mediums, with a particular focus on the concept of multi-point perspective. This approach allows representational forms to seek disruption and reorganization within their structures, providing a sense of fusion and enjoyment that has been a central pursuit in the artist's creative journey over the years.

He places greater emphasis on the incidental expressions of facets and the occasional aesthetic appeal of welds. He finds fascination in the interplay between polished surfaces, the reflection of light, the inherent colors of the artworks, and their interaction with the environment and the viewers' perception and movements. These elements are transformed into the presentation of lines and surfaces, reminiscent of brushwork techniques in painting, emphasizing the exhibition of mood and atmosphere rather than strict realism. Within the tangible sense formed by the interplay of lines and planes, void spaces coexist, creating a fusion akin to the philosophical concept of "Daoism" and introducing an additional layer of intrigue and imagination, resulting in a diverse display of artistic atmospheres. The artist does not seek to guide viewers into predetermined formal symbols within the artworks but rather encourages them to perceive various virtual and real structural forms from different angles, allowing for individual interpretations and sensations. This approach serves as one of the most intriguing expressions within the artworks.